edit1024x1024brand_led$0.07 settled4eea7091008241b9aa86260c5bf74a0ebaselinedonecharged
- auto-eval PASS — Excellent render with high product fidelity and no text or branding defects.
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| prompt build | 0ms |
| ref 0 transform | 82ms · 391KB |
prompt
You are an expert advertising creative director, commercial product photographer and graphic designer. Produce a finished, ready-to-publish direct-response advertisement for Meta Feed (Square). PRODUCT FIDELITY — HIGHEST PRIORITY. Wherever product accuracy conflicts with a creative or styling instruction below, product accuracy wins. This does not relax the text instructions below, which are absolute in their own right, and it does not override the reserved-corner rule or the FORMAT block below. The supplied reference photograph is the single source of truth for the product; where several are supplied, the first is the primary product reference and the rest are further views of the same item. It is a PRODUCT REFERENCE ONLY — not a composition to copy. Treat every visible characteristic of the item as immutable. This advertisement must feature the exact same physical item that reference shows, as though that same item had been carried into a new professional photoshoot and photographed again — not recreated from memory. Do not redesign, reinterpret, simplify, modernise, improve, repair, stylise, approximate or substitute any part of it. Do not infer the product from its category, and do not infer it from anything you know about the brand. If the reference disagrees with what products of this type usually look like, or with your prior knowledge of this brand, the reference is correct and your prior is wrong. This holds for every category — apparel, footwear, jewellery, bags, accessories, cosmetics, skincare, electronics, furniture, sporting goods, home goods, toys, tools, and packaged or food goods alike. PRESERVE EXACTLY, as the reference shows it: — Form: shape, proportions, overall dimensions, silhouette, geometry, profile, contours, edges, thickness, volume and curvature. Fit and cut are part of the form and may not be altered, though the item may of course be posed, worn or placed differently. — Construction: seams, stitching, panel layout, assembly, joints, fasteners, hardware, hinges, closures, buttons, buckles, snaps, zips, clasps, laces, eyelets, straps, handles. — Materials: fabric, knit, mesh, leather, suede, rubber, plastic, metal, wood, glass, ceramic, gemstone, carbon fibre, foam, paper and packaging material — each rendered as the same material the reference shows, never swapped for a richer or cheaper-looking one. — Surface: texture, weave, grain, gloss, matte, satin, brushed and polished finishes, transparency, opacity, reflectivity. — Colour: the item's own colours exactly. Do not shift hue, recolour, bleach, tint, darken, brighten, saturate, desaturate, or invent an alternate colourway. New lighting may fall across those colours; it may not change them. — Graphics already on the item: logos, branding, icons, artwork, patterns, prints, typography, embroidery, embossing, debossing, engraving, decals, labels and tags — same wording, same lettering, same placement, same scale. Reproduce them from the reference; never redraw them from imagination, and never add, remove or modify any branding. This preserves marks that are ALREADY on the item; it is never licence to place a brand mark anywhere else in the frame. — Details, including but not limited to: pockets, collars, sleeves, cuffs, necklines, hems, soles, heels, eyelets, handles, bezels, displays, screens, lenses, caps, applicators, chains, gemstones, watch faces, grips, blades, wheels, buttons, ports, vents and sensors. Every feature visible in the reference must appear unchanged; no feature absent from the reference may be added. — Condition: wrinkles, folds, creases, wear, polish, finish, surface imperfections, and the shadows the item casts on itself. Do not “improve” the item, smooth its surfaces, or clean away its natural characteristics. NEVER: substitute a similar-looking version; invent a feature that is absent; remove a visible feature; redesign any component; merge this item with another design; produce a newer, cleaner, alternative or special edition of it; produce a different size, fit or variation; simplify it; stylise it; or hallucinate any detail that is not visible in the reference. If part of the item is not visible in the reference, do not invent or redesign the hidden portion. Infer only the minimum physically plausible geometry a believable photograph needs, fully consistent with the parts you can see — and infer geometry only, never a graphic, a label or a marking. PRODUCT SCALE AND FRAMING. The reference photograph also defines how the product is framed, and that carries over. Give the item approximately the same visual prominence and approximately the same share of the frame as the reference does — within about a tenth either way — from approximately the same camera distance and a similar perspective. Do not zoom in dramatically, zoom out dramatically, or crop substantially tighter or wider than the reference. Compose the advertisement around the item at that size: fit the environment to the product, never the product to the environment, and never rescale the item just to make a layout easier. This governs how large the item sits inside the frame; it does not govern the frame itself — the output's dimensions and aspect are fixed by the FORMAT block at the end, and the safe box and reserved corner still apply. WHO WEARS OR HOLDS IT. If the reference photograph shows the item worn, held or carried by a person, then a person wears or holds it in your image too, the same way, on the same part of the body. Keep the same person — do not replace them with someone else. Their pose, their hands and how they are framed are yours to direct, but you may NOT remove them and show the item lying on its own, and you may not move a worn garment onto a hanger, a mannequin, a surface or a flat lay. If the reference shows the item by itself, you may introduce a person or leave it unpeopled, whichever makes the better advertisement. WHAT MAY CHANGE — everything that is not the item itself, and you should change it: who the model is, their pose and hands, environment, background, set, props, styling, lighting, shadows, mood, atmosphere, camera angle, focal length, depth of field, the colour grading of the scene, and the typographic treatment of the copy specified below. Build an entirely new scene around the item; do not reuse the reference's background or lighting. Note what is deliberately NOT on that list: the product's size in frame and the camera's distance from it, which the paragraph above holds close to the reference — and whether the item is worn, which the paragraph above ties to the reference. ADVERTISING QUALITY. This has to read as work a premium creative agency shipped, not a stock photograph and not a template that was filled in. Make the lighting feel intentional and the typography feel art-directed. Use whitespace deliberately. Keep the product the primary focal point and give it the greatest visual emphasis in the frame. Aim for premium, modern and editorial — and put the inventiveness in the photography, the light and the typography, never in the product and never in the claims. BEFORE YOU FINISH, check three things. The product: a customer would recognise it as the identical physical item; nothing has been redesigned, added, removed, recoloured or reshaped; and colour, branding, materials and construction all match the reference. The framing: the item occupies roughly the same share of the frame as it does in the reference, and the whole image could pass as another photograph of that same item taken in a new commercial shoot. The copy: every string you were given below appears exactly once, spelled exactly as given, and no other text appears anywhere. If any check fails, correct it before finishing the advertisement. PRODUCT: a black cotton crew-neck t-shirt with a circular grey chest logo reading RESTOMODS.COM / RestoMods / EST. 2014 / BETTER THAN NEW around a vintage car silhouette WHAT THIS AD HAS TO DO: A stranger scrolling past should recognise the brand first — its colours, its voice, its mark — with the product supporting rather than leading. The brand line carries the voice. WHAT SHOULD WIN ATTENTION, in this order: 1. the brand itself — colours, mark, visual identity dominating the frame 2. the brand's line, punchy and unmistakable 3. the product, clearly present but supporting 4. the CTA That is an order of importance, not a layout, and not a checklist. Express it however reads fastest. SET EXACTLY THESE STRINGS, verbatim, each appearing exactly once — and set NOTHING ELSE. This is the complete and only text for this ad. It is not a template to fill in and nothing is missing from it. Spelling is critical; a misspelling makes this unusable. The words to the LEFT of each arrow name the element for your reference and must NEVER appear in the image. Render ONLY the text to the right of the arrow: brand line -> Better than new. cta button -> SHOP NOW Set no other words, numerals or letterforms anywhere in the image — including on signage, packaging, screens or clothing within the scene. The single exception is lettering already visible on the product itself in the reference photograph: that lettering is part of the product, so it stays exactly as the reference shows it, reproduced and not restyled, and it does not count as text you set. YOU DECIDE EVERYTHING ELSE: composition and crop, camera angle and distance, lighting and mood, typeface and weight, the scale and colour of every text element, whether copy sits on a panel or in clear space, and where each element goes. Use your own judgement — make it look like a campaign a good agency shipped, not a template that was filled in. Inventiveness belongs in the photography, the light and the typography — never in the claims. THIS PRODUCT HAS NONE OF THE FOLLOWING, so none of it may appear: — no customer quote, testimonial, review sentence, quotation marks, star-glyph row or attribution — and never re-dress a tagline, badge or headline as something a customer said — no numeric score, star glyphs or trust mark of any kind — no badge, pill, ribbon, seal or corner flag — never Best Seller, Top Rated, Customer Favorite, #1 or As Seen On — no subheading, supporting line, descriptive sentence or secondary copy beneath the brand line — no price, currency symbol, discount, saving, offer or countdown — no product name, website, hashtag or small print added anywhere in the scene — wording already printed on the product itself is not an addition and stays exactly as the reference shows it — no added brand logo, wordmark or lockup anywhere in the scene — any logo, wordmark or label already printed on the product itself stays exactly as it is, reproduced from the reference rather than redrawn, but nothing new is drawn — no award, laurel, ribbon, seal, guarantee, warranty or money-back claim, QR code, barcode, legal or regulatory small print, or promotional claim of any kind — and nothing else you were not given: if a word, numeral or mark is not in the text above, it does not belong in the image If an element is not listed in the text above, it does not exist, and its absence is the accurate brief rather than a gap to fill. Leave the space empty rather than filling it — empty space is a legitimate design choice and inventing proof is not. Keep the bottom-right corner clear of text and graphics — the corner of the SAFE BOX described below, not of the frame you are generating. The real logo is composited into that space afterwards, inside the safe box, because anything outside it is either cut away by the delivery crop or covered by the platform's own interface. FORMAT: 1:1 (Meta Feed (Square)). Generate at 1024x1024; delivered at 1080x1080. EVERY element you render other than the photograph itself must sit inside the box from 6% to 94% of width and 6% to 94% of height. The photograph should still fill the whole frame edge to edge.
